Word Count: 1,514
A reflection on the bureaucratic opacity of the parole process in the US criminal justice system—as seen from within.
Word Count: 1,195
On loss of life and sight, feeling, and embodiment, before the pandemic and after.
–
with images from REGENESIS: AN OPERA TENTACULAR (ACT II & III)
Finding solace in the virtual forests of the video game ‘Animal Crossing.’
–
With GALAXY
a video by DAGMAR SCHÜRRER
From the felt experience of the Kosovo War, to an exploration of the experience of disaster through the sight of an eclipse’s corona.
–
With MONUMENT FOR LOST TIME
an artwork by LARISSA SANSOUR & SØREN LIND
Word Count: 3,989
An evocation of the potentials for a collective response to apocalyptic murmurs that defies the biblical division between the saved, and the damned.
–
With ESCAPE
photography by TATIANA BONDAREVA
Word Count: 1,951
Connectivity, creativity, and daring to dream through the abandonment of exile.
–
With KINGDOM OF THE DISPOSSESSED
an artwork by SADIE WEIS
Word Count: 4,207
An essay on the battle for self-love in a violent, white-dominated world.
–
With ASC BEACH, OSIRIAN PROCESSES & GOD BODY
artworks by CRICE
Walking the Red River to honor Murdered & Missing Indigenous women.
–
With WATER
a video by TANYA LUKIN LINKLATER
Word Count: 3,193
On the lies that white privilege tells.
–
With CONQUERORS & MONSTER
photographs by PAMELA COHN
One psychotherapist’s journey from extreme poverty & domestic abuse, through institutional abuse & clandestine drug testing in the US psychiatric system, into transcendence & a life of healing.
–
With WHEN WE WENT THERE WE WALKED THE PERIMETER
artwork by KATE HOLFORD
Word Count: 4,102
A short story on the exile of the body, tongue, mind, and soul.
–
With KOSTËRRC (CH)
artwork by PETRIT HALILAJ
Word Count: 2,423
Children, commitment, and erotic encounters in a bed for three.
–
With TERRITORIES
photographs by LEVITICUS HINDS
Word Count: 4,348
A meditation on the boundaries of monogamous love and friendship, and the triangular structure at the core of togetherness.
–
With AFTER ANNIE #2 & #9
photographs by KATE HOLFORD