An argument for inhabiting the space between hostility and hospitality, and for dancing, in the face of Russia’s war in Ukraine.
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With FUTURE ANCESTRAL TECHNOLOGIES: NEW MYTH
a film by CANNUPA HANSKA LUGER
April 2022
What’s wrong?
Word Count: 1,183
Seeking hidden sites of release from the strictures of globalized ideological apparatuses to the domination held by the judge.
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With images from DATA: THE NEW BLACK GOLD
by IBIYE CAMP
An argument for inhabiting the space between hostility and hospitality, and for dancing, in the face of Russia’s war in Ukraine.
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With FUTURE ANCESTRAL TECHNOLOGIES: NEW MYTH
a film by CANNUPA HANSKA LUGER
Word Count: 3,885
An inmate’s reflections and analysis on incarceration and the potentials and limitations for prison abolition.
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With ARBITRARY NAMES CAN’T DEFINE SUCH TASTE
a video by BEN DAWSON
Poetry revolting against the imposition of pervasive judgement under semiocapitalism, and gesturing to its ripe, hidden ruptures.
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With PLEXUS ELASTIC
a video by ANDREA GARCIA VASQUEZ
Word Count: 753
Shot in Accra, Ghana, this fashion editorial considers judgement in the context of neocolonialism, power-play, and fabulousness.
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Fashion editorial with photographer
NANA KWADWO AGYEI ADDO
A tour through experiments in psychoanalytic writing and a consideration of desire and ethics within and outside the analytic situation.
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With INSIDE OUT
a film by SARAH KHAN
Nonfiction on the eerie appearance of decapitated pigs heads through lockdown, the Minneapolis uprising.
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With THE DREAMERS
artwork by IMAN TAJIK